Writing for n+1’s City by City series, Moira Donegan remarks on the “self-defeating contradictions” of working at a nonprofit in New Orleans. It’s a town, she writes, where most arrive to either “perform charity or to party,” and where, she feels, “many of the people who … come to help the city [are] also hurting it.” In certain ways, the piece can be read as being in conversation with Duncan Murrell’s 2012 essay for Oxford American about authenticity, preservation, posterity, and the Big Easy.
The fine folks at Norton have made all of Patricia Highsmith's books available in eBook format, and to celebrate the move, they've crafted a website dedicated to the author's work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There's also a great video in which Alison Bechdel, Robert Weil (Highsmith's editor at Norton), Joan Schenkar (Highsmith's biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
The New York Times' executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
In 1962, Samuel Beckett wrote “Play.” Originally intended to be a stage production, the piece has now been adapted as a short film starring Alan Rickman, Kristin Scott-Thomas and Juliet Stepherson. Come for the Beckett writing (full text can be found here), but stay for the disembodied heads-in-urns.