If you’re a professor or mentor, it’s the time of year you should expect to be hit up for recommendation letters. You can find inspiration in Ralph Waldo Emerson’s recommendation letter for Walt Whitman, when the latter was seeking government employment despite his controversial poetry. “He is known to me as a man of strong original genius, combining, with marked eccentricities, great powers & valuable traits of character: a self-relying large-hearted man, much beloved by his friends.” Even if the government didn’t like Whitman’s work, we do; read our own Michael Bourne’s essay on the power of Whitman’s poetry.
A Man of Marked Eccentricities
Biological Music
“Seaquence is an experiment in musical composition. Adopting a biological metaphor, you can create and combine musical lifeforms resulting in an organic, dynamic composition.”
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In The Shadow of Odessa
Craig Fehrman reviews Keith O’Brien’s Outside Shot, a book which follows the 2009-10 boys’ basketball team at Scott County High School in Georgetown, Kentucky. O’Brien’s book is much in the mold of Buzz Bissinger’s Friday Night Lights, writes Fehrman, in that it’s concerned with a “troubled town, precarious season, political resonance” – but it’s also a book that falters under the legacy of its predecessor.
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Les Misérables: Now 100% Brawnier
The latest project from King’s Speech director Tom Hopper will be a big-screen version of Les Misérables, starring Hugh Jackman as Jean Valjean and Russell Crowe as Javert. You can check out the trailer over here.
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“Me & Gin,” Comics
Recommended Reading (Comics Edition): Jordan Jeffries’s comic adaptation of Lindsay Hunter’s “Me & Gin” – which originally appeared in Barrelhouse.
Extreme Bookselling: Japanese Edition
Japanese booksellers are not content to handsell books these days. No, no. Instead, they’re drawing on architectural know-how and creative spirit in order to master “the avant-garde art of book stacking.” (Hopefully none of them experience the Mariko Aoki phenomenon.)
“manuals for a thinking person”
Jed Perl on Susan Sontag’s journals: “The fascination of Sontag’s prose—and its sadness—is in the extent to which she is describing herself as a person who can never really get beyond a schematic kind of thinking and feeling.”
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