Attention! 3 Quarks Daily has announced its 4th annual prize for arts and literature online writing, to be judged by novelist Mohsin Hamid. Articles from The Millions writers have won before (a piece from Lydia Kiesling in 2010 and another from Edan Lepucki in 2011) and we’d love to keep that tradition going. Nominations can be posted in the comments of the announcement, so please recommend any Millions writing you have enjoyed since March of last year. And to all of our guest contributors out there, be sure to nominate your Millions pieces!
Out this week: The Windfall by Diksha Basu; Quiet Until the Thaw by Alexandra Fuller; The Destroyers by Christopher Bollen; River Under the Road by Scott Spencer; The Confusion of Languages by Siobhan Fallon; and Modern Gods by Nick Laird. For more on these and other new titles, go read our most recent book preview.
“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”
If you have aspirations of the literary sort, I strongly recommend Dan Wickett’s interview with “founders, editors and managing editors of 8 Literary Journals of varying age and size.” And you should also look at the latest posts at Mad Max Perkins’ Book Angst in which hears from editors and publishing industry types about “the true meaning of midlist.”
Ukraine is investing approximately $61 million in order to “bolster [the nation’s] reading, publishing and bookselling beginning in 2014 and lasting through 2018.” One concern held by Ukranian literati is the rapidly expanding influx of Russian writing, which some claim have been “push[ing] books from Ukrainian publishers and authors off the shelves.” Meanwhile, Russia recently announced a $100 million stimulus package for its own book industry.