We tend to take it for granted that the world needs more translated works. The dictates of common wisdom state that reading translated works help us understand the reality of foreign cultures. But what if translation, which erases at least some nuance from works of literature, instead “sifts out the foreign or the unsettling in the name of easy consumption”? In The Irish Times, Michael Cronin reviews a recent book by NYU professor Emily Apter.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
The “grande dame of the Beat Generation” has died at age 90. Carolyn Cassady passed away last Friday near her home in England. She was the inspiration for Camille, Dean Moriarty’s overburdened second wife in Jack Kerouac’s On the Road. Yet Cassady was a writer in her own right and published two books, Off the Road and Heart Beat: My Life With Jack and Neal, about how the Beat Generation was misunderstood.
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.
The average book tour is filled with indignities, but none may be worse than getting kicked out of a cheap motel, which is exactly what happened to our own Bill Morris on the tour for his latest novel. At The Daily Beast, he recounts the unfortunate events that led to him getting booted from a Motel 6. You could also read his essay on listening to the audiobook of his own novel while on tour.
Pamela Paul’s recent New York Times piece on the “permanent reunion” Facebook has trapped us in and an 18-year-old’s op-ed in the New York Post about why the shallow connections of Facebook led him to quit, have me feeling queasy about checking my timeline. So, I’m re-reading Edan Lepucki’s essay about taking a social media detox instead. (Cue the cognitive dissonance of clicking the “like” button next to this entry.)
“There’s no doubt that Life A User’s Manual takes an approach to depicting reality that is very different from the standard realist novel, which we have been conditioned to believe is the best and most-preferred way of representing our world…Though not without its enlightening aspects, this conversation has generally fallen into a simplistic dichotomy, where realist writing is described as giving us the real world of everyday life, and anything other than realist writing is seen as directing its energies toward a vague something that no one cares to define very well.” A look at Oulipo and its legacy from Lauren Elkin and Scott Esposito, who recently wrote an Oulipo-themed Year in Reading for us.
“I used to run cross country in high school and it was like, I knew if I put in a certain kind of training, it was going to make me faster. If X, then Y. But with writing, it’s like, if X, if I do this thing that’s necessary, which is giving myself the space and time, then what? It’s sort of a question mark. You have no idea. You work so hard to offer yourself up to the space of the unknown.” Leslie Jamison (and Angela Flournoy and Katherine Towler) on being alone and setting aside the time to write.