The art of book translation becomes even more challenging when you translate a book that hasn’t been updated since the Cold War. At Asymptote, Jacek Dehnel discusses how much changed from Ariadna Demkowska’s 1962 translation of The Great Gatsby to his current work. “Demkowska was working under very different circumstances: behind the Iron Curtain and without access to Google. It was, therefore, more difficult for her to track down various details, such as those concerning well-known financiers or popular culture starlets of the 1920s.”
Translating After the Iron Curtain
Till Death or Cliches Do Us Part
At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)
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Ben Stiller’s Daydreams
Ben Stiller has taken on the fashion and film worlds before, but his next directorial effort is literary. The new trailer for The Secret Life of Walter Mitty, based on the 1939 James Thurber short story, is more Michel Gondry than Derek Zoolander.
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Titling Publishers
How did Random House get its name? A joke. Book Riot gives the stories behind eleven publishers’ names. You could also read a piece on how writers title their novels.
Save the Adverb (Heroically)!
“It reminded me once again that we desperately lack a full-throated defense of this runt of the grammatical litter. We need an outright celebration of adverbs, and it is that celebration that I offer—stridently, boisterously, unapologetically.” Colin Dickey at Slate passionately, unabashedly defends the adverb.
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Of Mice and Megabytes
Although Of Mice and Men is an iconic novella about the Great Depression, could it be set in another era? At McSweeney’s, Thomas Scott imagines Lennie and George in Silicon Valley. “Well, we’ll have a big vegetable patch and a rabbit hutch and chickens and a 7,000 square-foot Hacienda with a little landing pad on the top deck for a helicopter.”
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On Violence
“They couldn’t testify because they were dead so I wanted to lend my own body and voice to them.” Han Kang on writing about the Gwangju massacre and her slim novels, Human Acts and The Vegetarian.
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That Was How He Was
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
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Lev Grossman on Aspiring Writers
Lev Grossman offers some words of encouragement for aspiring writers: “because it turns out that talent, whatever that is, and that glowy aura, are only part of the picture.”
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