Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.
Theo Decker’s Pinterest
Like a Child
‘The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return.” Dana Stevens on watching movies with, and like, a child.
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The Pulitzer Underdog
The unlikely path of Tinkers from manuscript in a drawer to Pulitzer glory.
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Talking with Michelle Orange
At The Nervous Breakdown, Brad Listi sits down with Michelle Orange, who talks about writing ledes, Pauline Kael, and the story behind her new book, This is Running For Your Life. (For more, go check out her interview with our own Hannah Gersen.)
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An American Tragedy
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
The Book Peddlers on Mumbai’s Streets
Sonia Faleiro takes a look at the “book boys of Mumbai” who participate in India’s quasi-illegal pirated book market. (It’s an issue also discussed in Akshay Pathak’s most recent dispatch on Indian publishing.) Faleiro notes that books often appear on the streets as soon as they’re released to stores – and also that by 1999, as much as “20 to 25 percent of all books sold in the country were pirated.” Meanwhile, the former production editor in me wonders, how the heck are they re-printing these books so quickly?
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I’m also a devoted reader of The Millions, and I think it was your review that initially pointed me to the book, so I’m thrilled to see my project mentioned here.
I’m not a very visual thinker, nor do I know much about art, so I was having trouble with the scene-setting at the beginning of the book. I kept googling all the pictures to try to get in my head what Theo and his mom were looking at. Then I started pinning them because I thought the other folks in my book club (which is reading the book this month) might also like to look at it. Then I got out the post-it flags and it just kind-of grew!
This is so so perfect. Thank you to Laura for the creation and to The Millions for the share.