Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. “If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives.” On another side of the secrecy spectrum, Emma Straub writes about what it’s like to keep a personal secret even as her literary life was booming.
“It is a darker book, I don’t deny that, but that’s the story that came to me and wanted to be told.” Seventeen years after Philip Pullman‘s His Dark Materials trilogy ended, the writer is releasing La Belle Sauvage, the first volume of his new trilogy, The Book of Dust. Pullman also said the second volume of the trilogy of already complete, according to The Guardian. Check out our own Janet Potter on grief, books, and His Dark Materials.
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
Francis Spufford’s fictionalized book Red Plenty looks to the 1950s-1960s “cybernetics” initiative to answer one of the main questions about the USSR: “Could the Soviet project to build communism have succeeded, or was it doomed to failure from the start?” In his review for The Hoover Institution, Marshall Poe contends the latter.
“Forty years later,” Romesh Ratnesar writes “the Stanford Prison Experiment remains among the most notable—and notorious—research projects ever carried out at the University.”
If you find cat hair in a book you checked out of the Novorossiysk Library, don’t worry. It belongs to the newest librarian. Kuzya the cat started off as a pet at the Russian library but was promoted after patronage increased due to his presence. The new library assistant even wears a bow tie.
“I started keeping a journal when I was eight, but even before then I was a kid who loved making long lists of everything I could see or remember. Coconut, tricycle, jeepney, air freshener, I would write, for example, and my lists would lengthen and become even more specific as I grew to know the world around me. […] Reading and writing always seemed a part of my life and identity.” For The Rumpus, Swati Khurana interviews Janine Joseph about writing poems as teenagers, writing from experience, and what it meant for Joseph to “come out” as an undocumented immigrant.