Move over Shailene Woodley and Jennifer Lawrence because Chloë Grace Moretz is about to become the YA queen. The trailer for her adaptation of Gayle Forman’s If I Stay just came out. Next, she will be trading tearjerkers for dystopias in an adaptation of Rick Yancey’s The 5th Wave.
The New YA Royalty
Hungry for Something New
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it's worth revisiting Paul Morton's interview with Krasznahorkai and Adam Z. Levy's review of his latest novel, Sátántangó.
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Gulf Stream, Issue 9
The creative writing department at Florida International University has released the ninth issue of their on-campus literary magazine, Gulf Stream. The issue features the publication’s first inaugural Author Roundtable – a discussion between agents and writers from the Miami Writers Institute and novelists Cathy Day and Marc Fitten.
Wanna Get Away?
Well, this is gorgeous. Nisa Maier curates a collection of photographs and stories meant to “capture the essence of every country on the planet.” The end result, Let’s Travel Somewhere, can take you from India to Cuba, or from Russia to New Zealand.
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Requiescat in pace, TriQuarterly
TriQuarterly, the long-running trail-blazing literary journal more or less dreamed into existence by the late Charles Newman, is apparently no more, due to budget cuts at Northwestern University. Newman's foreword to his first issue as editor, reprinted at A Public Space, should be required reading for anyone thinking about the purpose and future of the little magazine and its role in the artistic ecology.
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Writing to Explain Yourself to Yourself
The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
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Place to Place
“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.
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