“Young black fiction writers in the U.S. often face a strange obstacle as they try to figure out who they are — it’s called American literature. A high number of pre-civil-rights-era novels by white American writers are likely to include tossed-off racial slurs and/or stock black characters, some of which make racially conscious readers want to hurl the book across the room, even if the wooly-headed pickaninnies are only peeking around a doorjamb on one page out of 400. There are exceptions, but shockingly few. You always have to brace yourself — always.” James Hannaham writes about growing up in Yonkers but finding himself in Southern literature.
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.
Philip Esler’s new book Sex, Wives, and Warriors: Reading Biblical Narrative with its Ancient Audience, reintroduces our culture to some of the Bible’s most dramatic narratives.
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.