Recommended Reading: this new anthology of art created with a typewriter.
The Clack of Great Art
Nabokov’s Unpublished Letters
Nearly 300 previously unpublished love letters written by Vladimir Nabokov to his wife Vera Slonim from 1923 to 1975 will be published next year by Knopf.
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In Thrall of Print Mathematics
Former nytimes.com design director Khoi Vinh tries to renew his digital subscription to the paper, and it doesn't go well: "The total customer experience here is haphazard at best, and, at worst — I hate to say this because I am still friendly with many people at the company, but in truth there’s no way around it — it’s insulting."
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“Writers all need Vera.”
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I'd fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I'd subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours," Waldman said.
Tuesday New Release Day: Crummey; Beauman; Yan; Wisniewski; Kapoor; Galera; Hulse; Hooper; Greenberg; Whitehouse
Out this week: Sweetland by Michael Crummey; Glow by Ned Beauman; Frog by the Nobel laureate Mo Yan; Watch Me Go by Mark Wisniewski; A Bad Character by Deepti Kapoor; Blood-Drenched Beard by Daniel Galera; Black River by S.M. Hulse; Etta and Otto and Russell and James by Emma Hooper; My Father’s Wives by the ESPN host Mike Greenberg; and Mobile Library by David Whitehouse. For more on these and other new titles, go read our Great 2015 Book Preview.
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Miami’s Sackner Archive of Concrete and Visual Poetry
The Miami Herald put together a nice video overview of the Pérez Art Museum’s Sackner Archive of Concrete and Visual Poetry.
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Whose Hasn’t?
Sergey Stefanovich’s “The Library” takes viewers through Duncan Fallowell’s library “which has spilled over into every available space and become an art installation in its own right.”
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