“The second prophecy was even more intense than the first one, and introduced a lot of new rules I didn’t even know existed, but everyone else seemed to kind of already know about them. But you know what? We’re a misfit band of teens who will do anything for each other now, like stand up to that town bully who’s not even scary to us anymore, now that we’ve faced pure evil and lived.” An excerpt of Mallory Ortberg’s best-selling YA novel.
"I am going to propose: The rigmarole is truly underexploited. Everyone should write a 'Conversations with Drummond' about themselves and about every opinion-spouting person they know. For the historical record. For revenge. For the children. Especially if you’re well-known, or right in the middle of the action, or both." Anthony Madrid for The Paris Review looks at Ben Jonson, William Drummond, and the rigamarole.
"They are both popular and literary and seem to have no problem standing with a foot in each category." For The Paris Review, our own Adam O’Fallon Price writes about the "unambiguous sophistication" of Curtis Sittenfeld's writing—which is often regulated to the world of "chick lit"—and her new short story collection, You Think It, I'll Say It. (Read our interview with Sittenfeld.)
Nemesis, the latest from Philip Roth is now out. Other new fiction this week includes Nicole Krauss' Great House and Myla Goldberg's The False Friend. In non-fiction, Steven Johnson takes on a thought-provoking topic with Where Good Ideas Come From: The Natural History of Innovation. Also new are Ron Chernow's massive biography of George Washington and a new book from Bill Bryson, At Home: A Short History of Private Life.
Ursula K. Le Guin has died at the age of 88, according to the New York Times and Le Guin's family. The prolific science fiction and fantasy writer — best known for her Earthsea series and The Left Hand of Darkness — explored themes like politics, gender, religion, and environmentalism. However, Le Guin wrote across genre and published over 20 novels, 100 short stories, 7 essay collections, 13 children's books, 5 volumes of translation, and a writer's guide. No stranger to awards, Le Guin most recently won the 2017 Hugo Award for Best Related Work for Words Are My Matter: Writings About Life and Books, 2000-2016. From our archives: The Millions interview with Le Guin from 2013.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. [...] One might say that New Yorkers like the folks in 'The Beach Boy' are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”