To honor Peter Matthiessen, who passed away over the weekend, The New Yorker unlocked part of one of the author’s best pieces of travel writing. The piece, titled “The Last Wilderness,” follows Matthiessen as he travels down the Amazon River. (His last novel comes out this week, as well.)
At The Rumpus, Greg Hunter talks with John Darnielle of The Mountain Goats, whose debut novel, Wolf in White Van, came out last month. In the past few weeks, I’ve recommended former Millions-er Emily M. Keeler’s review of the book, as well as a video interview with Darnielle.
Tim Weiner won the Pulitzer Prize for Legacy of Ashes: The History of the CIA. Then, four years after its publication, he received a box of J. Edgar Hoover’s “personal files on [FBI] intelligence operations between 1945 and 1972” from a well-connected D.C. lawyer. That treasure trove of information has since wound up in his recently published book, Enemies: A History of the FBI, and he sat with NPR’s Terry Gross to talk all about it.
What is the function of the art critic, anyway? According to Barry Schwabsky at The Nation, it is not “making or breaking” an artist, but rather “opening up perspectives without … belaboring them.” For the critically minded among you, here’s a Millions review of A.O. Scott’s new book Better Living Through Criticism.