The new issue of Story South dedicated its “Special Feature: Southern Poets” section to the work of Kathryn Stripling Byer. To wit, you can check out two of her poems – “Waiting for Bob” and “Making Myself at Home” – as well as an interview between her and Terry Kennedy, and a review of her latest collection, Descent.
Special Feature: Kathryn Stripling Byer
Reasons to Read the Classics
In 1968 Italo Calvino published 14 reasons why we should read the classics, and his list still feels relevant. Pair with the Millions’s essay on, well, reading the classics.
●
●
Felt and Not Seen
“Over the years, I’ve come to realize that sometimes a ghost isn’t always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you’ve known in your bones but haven’t yet been able to accept.” Jenna Wortham on the ghost stories of her youth.
The Fishermen: The Play
A Nottingham-based theatre company will adapt Millions staffer Chigozie Obioma’s Man Booker-shortlisted novel The Fishermen for the stage. The production is scheduled for next year.
●
●
Yuks of the North
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
●
●
May the odds be ever in your favor, Suzanne Collins.
The Hunger Games raked in $155 million in its opening weekend. That makes it the highest-grossing non-sequel debut of all time. Over at Salon, Laura Miller tracks the steps that led to the blockbuster’s mammoth success.
●
●
Double Threat
As if demonstrating exemplary literary skill weren’t enough, some overachieving authors were accomplished visual artists as well, notes AbeBooks in a roundup of talent that includes e e cummings, Günter Grass, Herman Hesse, and Jack Kerouac. Consider also our own Bill Morris on artists who channel writers in their own aesthetics.
Matt Bell on Creative Competition
Andrew Ervin interviewed Matt Bell for Tin House. Bell’s forthcoming novel In the House Upon the Dirt Between the Lake and Woods will come out this summer. (Excerpt) It’s a book that was at least partially enhanced by Bell’s sense of “competition … of a useful kind” with his friend Robert Kloss. “I was so blown away [by Alligators of Abraham],” Bell admits, “that I can remember having to resist putting down his first novel to go make mine better.”
Still Concealed Mysteriousness
“What love does in this union is dark and difficult and glorious — and stands on the side of life; who would dare or even want to guess more about it than that; and indeed, you will experience it. Certainly not without interruptions and doubts.” Lou Andreas-Salomé’s poignant advice on love and art to none other than Rainer Maria Rilke is certainly Valentine’s Day-appropriate.