At Slate, our own Mark O’Connell delves into the history of the self-interview, which you can find many examples of over at The Nervous Breakdown. Mark cites examples of self-interviews by prominent writers, including Tennessee Williams, F. Scott Fitzgerald and Year in Reading alum John Banville.
Song of Myself
The Power of Social Media (And Sexts)
Poet Elisa Gabbert recaps the warm-your-heart generosity of poet (and “Poet Laureate of Twitter”) Patricia Lockwood’s Twitter followers.
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Radical Structures
Jay Rubin, best known as Haruki Murakami’s longtime English translator, is also a novelist in his own right. Last month, he published his debut The Sun Gods, about a Japanese-American couple who meet each other on the eve of World War II. In an interview with The Rumpus, he talks about Murakami, his new book and his interest in Japanese literature. You could also read Ben Dooley on Japanese cell phone novels.
The Forgotten Forty
In a sea of Best Book lists, LitHub spoke to 40 booksellers about the most overlooked titles of 2017. On the list? Emil Ferris's My Favorite Thing Is Monsters, which was featured in Emily St. John Mandel's Year in Reading.
On The Road With DFW, Part II
At Condalmo, Matthew Tiffany's review of David Lipsky's new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: "You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it."
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The Turnip Princess
We're all familiar with the Grimm-style fairy tales, with their evil stepmothers and imperiled princesses. But a new collection of 19th century Bavarian folk tales has been discovered, edited, and now released in English for the first time, and they're darker, dirtier, and involve more gender-bending than the Grimm tales. Salon talks with the tales' translator, Maria Tatar, about their history, importance, and "the surprising ways they upend our long-standing notions of the roles of heroes and heroines in some of Europe’s oldest and most popular stories."
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Seriously, Read This Book
Lev Grossman is ready to dub John Jeremiah Sullivan, author of Blood-Horses and, more recently, Pulphead, "the next Tom Wolfe," and NPR's Dan Kois agrees that he might be "the best magazine writer around." Elsewhere, Zach Baron writes an interesting profile of the author for The Daily.
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Pinckney and Smith from the NYPL
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