At Slate, our own Mark O’Connell delves into the history of the self-interview, which you can find many examples of over at The Nervous Breakdown. Mark cites examples of self-interviews by prominent writers, including Tennessee Williams, F. Scott Fitzgerald and Year in Reading alum John Banville.
The By the Book series at the Times has produced some pretty great entries, but we have a feeling that Colson Whitehead may go down as its best interviewee. Why do we say this? Well, it might have something to do with his weeping fit in a Chelsea Dallas BBQ, prompted by an early scene in Cormac McCarthy’s The Road.
Ever been curious about the literary scene down under? For the next week, you can grab seven Australian literary journals/collections as part of a pay-what-you-want eBook bundle courtesy of Tomely. The journals include Voiceworks, Kill Your Darlings, The Review of Australian Fiction, The Lifted Brow, Tincture, Sincere Forms of Flattery, and Willow Pattern. All of the journals will work on Kindles, iPads, Nooks, PCs, etc…
Over at Bloom today, a lively Q&A with Charles McNair, whose Pickett's Charge was the subject of Kevin Hartnett's recent review here. In particular, McNair takes us through the harrowing blow by blow of his road to publication, the "sophomore jinx story" from a Pulitzer Prize-nominated author.
On Friday, Tumblr rolled out its new "highlighted post" feature. The move is a new way to monetize the site's content, but it's not the only new initiative taken up by the site. As of last week, two writers have been hired by the Tumblr staff to document, well, Tumblr. (And speaking of all of this, you should totally check out my list of the best literary Tumblrs.)
We cover a decent number of literary awards here at The Millions, but we, like most magazines, have a tendency to focus on the present. At the LARB, Andrew Nicholls makes up for this by recounting the very first book awards, in which Mooluu’s “The Beast Attacked” goes head-to-head with Kurtan the Elder’s “Why Half My Face is Missing.” You could also read our own Mark O’Connell on why we care about literary prizes to begin with.
In the latest Baffler, Evgeny Morozov argues that Silicon Valley, in typical fashion, has taken to “hacking” our language. Old, trusted words don’t mean what they used to mean, and complex ideas have been stripped of subversive implications. “Complexity,” he writes, “is not particularly viral.”