Over at The Review Review, Chuck Augello provides a useful guide for writers trying to determine where they should submit their work. He covers several aspects of the process: Identifying Potential Markets, Circulation, Evaluating the Journal, Evaluation Criteria, and Simultaneous Submissions. None are more important than the last, though: Do the Work.
So, You Want to Submit to a Literary Magazine
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On Reading Salman Rushdie in India
Literary critic Amitava Kumar has written a personal essay for the Chronicle on his experience reading from Salman Rushdie’s The Satanic Verses at the Jaipur Literary Festival in India, where the work has banned for 23 years. Read The Millions coverage of the festival here.
Dead Men May Tell Tales
“The eradication of Terry Pratchett’s unfinished works, the zeros and ones of his hard drive ground into the earth at the Great Dorset Steam Fair, is an imaginative exception to the rule.” The Paris Review questions how we publish an authors posthumous works and whether there’s a better way to do so. Pair with: our 2017 Select Literary Obituaries.
“The intersection of nature and man, and lovely”
In recent months we’ve had pieces about the homes belonging to Zora Neale Hurston and George Orwell, so in the spirit of that trend I encourage you to check out Nic Brown’s brief look at William Faulkner’s beloved Rowan Oak.
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A Most Terrible State
Yesterday I told you about a ridiculously rare signed copy of T.S. Eliot’s The Waste Land, a poem famously loaded with coldness and sterility and failed human intimacy. Later this month, some new letters will be published that reveal the depth of Eliot’s mental anguish over the breakdown of his first marriage with his wife, Vivien. Eliot has long been accused (maybe fairly) of treating Vivien with intolerable cruelty and attributing to her mental state, and these letters aim to complicate that narrative.
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World Cup of Literature
Three Percent is organizing a “World Cup of Literature” to coincide with the international soccer tournament’s June 12th beginning. The rules are simple: literature from each of the 32 countries in the actual World Cup will be put into a “32-book knock-out tournament,” and “each ‘match’ will pit two books against one another and will be judged by one of … fifteen illustrious judges.” Who’s your early favorite? (Bonus: “What happened when 10 European poets were asked to portray their home country in verse ahead of the European elections?”)
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