“Long before the term ‘graphic novel’ was coined to explain long-form comic strips, the artist Milt Gross was making precursors to the format,” and one of his lost works is finally being republished. The work, Milt Gross’ New York, was written for the World’s Fair in 1939 and “follows the adventures of the sausage-nosed, conniving, yet amiable con man Pop.”
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
Recommended Reading: For the writers who make coffee for their day jobs, Lucy Schiller discusses the burden of being happy all the time as a San Francisco barista in “Service with a Smile.” The essay is the first in a weekly series by The Riveter, a magazine spotlighting original longform journalism by women. Pair with Jason Diamond’s essay on being mistaken for a professional barista.
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
“I found it hard to escape the sensation that I’d be teaching inside a giant metaphor.” Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students’ work, it allowed her to see how writing can act as a shelter, too.
New this week: The Wonder by Emma Donoghue; Reputations by Juan Gabriel Vásquez; The Lesser Bohemians by Eimear McBride; American Prophets by Albert J. Raboteau; Odes by Sharon Olds; and The Other Side of the World by Stephanie Bishop. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“We wanted to show a side of the migration crisis that is rarely portrayed, steering away from the depictions of nameless masses by certain media and politicians,” write the producers of Mr. Gay Syria, a documentary about Syrian refugees and their quest to shine a spotlight on the community of “Syrians who had to run away from war and homophobia,” and who have relocated to Turkey, “a place that did not accept them either.” Now, after two years of work, the filmmakers are raising money to fund post-production and community outreach. You can donate here, and visit their Facebook or Twitter pages for more information.