The New Yorker has published another recently discovered Shirley Jackson short story “The Man in the Woods,” a fairy tale that takes on some classic mythology. According to her son, it’s one of many new stories found in her archives, and we can expect a new collection next year. “What was surprising to us was not that she was so prolific and had left behind so much unseen work but, rather, the quality of that work,” Laurence Jackson Hyman said.
Shirley Jackson in the Woods
Jacqueline Woodson on the Power of Changing the Narrative
Jacqueline Woodson shares how she structures her days, from her reading habits to how she organizes her thoughts.
●
●
●
Blues Traveler
John Cline is retracing the Great Migration route from New Orleans to Chicago for his Oxford American column, “Arterial America.” In his latest dispatch, he discovers Jackson, Mississippi’s hip-hop community.
Questions from the Archives
Jenn Shapland had the pleasure of cataloguing the archives of Carson McCullers, Gertrude Stein, and Sir Arthur Conan Doyle. Their possessions left her with a few lingering questions. Pair with Shapland’s piece on cataloguing David Foster Wallace’s The Pale King.
Brutality and Pragmatism
“Will anyone in America give a damn about Beig? It’s hard to imagine our glittering zeitgest machine ever getting behind her, with her landscape, her women, her knowledge of the secret lives of animals born for the hatchet. Her writing, so invested in the disappearing rural world, is particular, yes, but universal: her characters love and long and pine away.” Matthew Neill Null is unsatisfied with how American readers have treated the work of the great German novelist Maria Beig. He makes a passionate case in her favor in this new essay over at The Paris Review.
●
●
“Bob wasn’t the settling sort.”
I promise you that the best thing you’ll read today is this remembrance of the Kilimanjaro climbin’, chemotherapy-cocktail imbibin’, tank bustin’ and cricket playin’ life of Major Robert Crisp, D.S.O, M.C.
Su Hui’s Masterpiece Palindrome
Chinese poet Su Hui composed an 841-character array in the fourth century that can be read forward, backward, horizontally, diagonally, and vertically. The poem, entitled “Xuanji Tu,” can be read in 2,848 different ways as a result.