Did David Foster Wallace predict our anxiety over selfies? At The Wire, Danielle Wiener-Bronner argues that Wallace was prescient in Infinite Jest. Although videophony, his concept of video-chatting, isn’t the same thing as a selfie, the paranoia over looking good is strikingly current. “This sort of appearance check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen.”
The Fault in Our Stars isn't even out yet, but John Green already has another adaptation on the way. Fox 2000 will bring Paper Towns to screen next with the same screenwriters and producers as The Fault in Our Stars. Green will also be producing. "If you don't like something, you can blame me," he tweeted. Fault supporting actor Nat Wolff will star as the sleuthing Quentin. We just want to know who will play the enigmatic Margo Roth Spiegelman.
I can't recommend John Jeremiah Sullivan's 7,000-word article on The Pale King highly enough - not because he gets everything right, but because it's what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.
"Many times, I’ve found that a book I once held in my hands becomes another when assigned its position in my library." In The Paris Review, an excerpt on the art of packing (and unpacking) a library from Alberto Manguel's upcoming book, Packing My Library: An Elegy and Ten Digressions. Pair with: an essay on reorganizing one's personal library.
Amazon has partnered with the Wylie Agency to acquire exclusive ebook rights to 20th century classics by the likes of Philip Roth, Salman Rushdie, Saul Bellow, Norman Mailer, Louise Erdrich, John Cheever, Hunter S. Thompson, William S. Burroughs, Orhan Pamuk, V.S. Naipaul, Martin Amis, and Jorge Luis Borges. The venture is called Odyssey Editions. These books will be available in ebook form exclusively on the Kindle for the next two years.
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.