Did David Foster Wallace predict our anxiety over selfies? At The Wire, Danielle Wiener-Bronner argues that Wallace was prescient in Infinite Jest. Although videophony, his concept of video-chatting, isn’t the same thing as a selfie, the paranoia over looking good is strikingly current. “This sort of appearance check was no more resistible than a mirror. But the experience proved almost universally horrifying. People were horrified at how their own faces appeared on a TP screen.”
Out this week: Another Brooklyn by Jacqueline Woodson; Shining Sea by Anne Korkeakivi; White Nights in Split Town City by Annie DeWitt; War and Turpentine by Stefan Hertmans; How to Party with an Infant by Kaui Hart Hemmings; Arrowood by Laura McHugh; and The Glorious Heresies by Lisa McInerney. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?