“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Searching for Geeshie and Elvie
Two Good Women
Want to see Nobel laureate Alice Munro in conversation with Margaret Atwood? The two will take part in a Google+ hangout on Wednesday night at 7:30. (You could also read our beginner’s guide to Munro’s work.)
Heavy Feather Review’s Call for Submissions
As they begin preparation work on “Vacancies,” a special double-issue of their magazine, the folks at Heavy Feather Review have issued a call for writing that explores “the dimly lit corners of the unoccupied, unassuming, or idle.” For inspiration, look toward Philip Levine’s poem, “An Abandoned Factory, Detroit.”
Julie Powell at Powell’s
The Julie Powell interview at Powell’s — on butchery and infidelity and self-disclosure.
“Vague enough to be useful”
At Full-Stop, Nicholson Baker talks with David Burr Gerard about his new novel, Henry James and the envy he feels for Guardian journalist Glenn Greenwald. (Related: our own Bill Morris reviewed Baker’s House of Holes.)
The E-Lantic
Hey, did you hear? The Atlantic published its first ebook, The Obama Presidency, Explained.
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“Depressing day”
A while back, I linked to a contentious letter between Saul Bellow and Jack Ludwig, written not long after Bellow found out Ludwig was sleeping with his wife. Now, here’s a (somewhat) less angry piece of correspondence, sent from Philip Larkin to Barbara Pym. Sample quote: “Has anyone ever done any work on why memories are always unhappy?”
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