“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Debut short story writer Matthew Vollmer gets some love.For those left baffled by descriptions of “the Purdie shuffle” in last week’s New Yorker and New York Times, the mighty Bernard “Pretty” Purdie offers a demonstration.At the International Edible Book Festival, you can chase down your Remembrance of Things Pasta with some Rosencrantz and Guildenstern are Bread (via The Book Bench)Despite (or because of?) its compassionate ecumenicalism, Sana Krasikov’s One More Year wins the Jewish Book Council’s Sami Rohr Prize.A 1979 cover letter from then-unknown Kazuo Ishiguro, re: the story “Getting Poisoned.” Bonus features: Hemingwavian brevity, grease stains.The New York Times Magazine’s editor ponders the fate of long-form journalism……while Vanity Fair questions the Times’ relentless interactivity.Stephen King, once thought to be considering retirement, has been as prolific as ever, now announcing the November publication of a 1,120-page novel, Under the Dome, about a town that has been sealed off by an invisible force field.The Complete Review turns 10!30 Poets/30 Days: a celebration of children’s poetry”Notes and Errata” on D. T. Max’s profile of David Foster Wallace “The Unfinished.” (via kottke)Kassia Krozser says “Enough With The Smell of Books, Okay?” about the olfactory argument in the ebooks debate.William Zinsser on writing On Writing Well and keeping it up-to-date for 35 years.Google poses a literary stumper.
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”
Serious reading is harder than ever. With so many distractions around, it’s incredibly difficult for a novel to keep our attention. In The Nation, Joanna Scott makes a case that careful reading is in danger, and builds a case for preserving difficult fiction. You could also read our own Nick Ripatrazone on trying to teach Thomas Pynchon.