“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Meet Ant-Roach, an inflatable clackety six-legged robot with a protruding proboscis whose goal is to demonstrate the high strength-to-weight ratios of inflatable platforms. Can we say kid’s birthday parties?
“Just because I’m a woman, don’t assume that I automatically empathize with a brooding 20-something Elizabeth-Bennett-type protagonist. (Trust me, I don’t.) This doesn’t mean I can’t design … a biography on Susan Sontag—or, for that matter, a spy novel, a political satire, or a memoir about a Japanese game show host set in outer space. I can do all of these things. Because it’s my job to design book covers.” Over at The Literary Hub, a cover designer wonders why she’s always offered a particular type of book.
What is the function of the art critic, anyway? According to Barry Schwabsky at The Nation, it is not “making or breaking” an artist, but rather “opening up perspectives without … belaboring them.” For the critically minded among you, here’s a Millions review of A.O. Scott’s new book Better Living Through Criticism.