Though Kim Gordon is mostly known for her time in Sonic Youth, she’s also an artist and writer, one who’s racked up art projects and publications over the course of the past forty years. At Full-Stop, Hestia Peppe reviews Is It My Body?, a new collection of Gordon’s essays and other written work. It might also be a good time to read our own Anne K. Yoder on punk and revolutionary nonfiction.
"'Poetry, I feel," said Sylvia Plath in a radio interview in 1962, the year before her suicide, 'is a tyrannical discipline. You've got to go so far so fast in such a small space, you've got to burn away all the peripherals.'" Fifty years after her death, an argument for close reading.
The Atlantic is kicking off its new series, YA for Grown Ups, with an examination of "The Greatest Girl Characters in Young Adult Literature." Obviously The Hunger Games's Katniss Everdeen is up there, but don't worry, Ramona Quimby makes the list too.
"if I am going to set a novel in a real place, in a real time, I must get all the details right. I should not put a wall around Washington Square, start the Iraq War in 2005, or claim that maple trees bear acorns. This matters because it has to do with keeping faith with your readers. If you get something verifiable wrong, why should they believe you when you really are making things up?" Helen Benedict for Amazon Author Insights on finding the balance between research and imagination when writing fiction. (Full disclosure, Amazon helps us pay the bills around here!)
At the Fiction Writers Review, Robin Black sits down with contributor and Year in Reading alumna Nichole Bernier. The two discuss, among other things, Bernier’s new novel, The Unfinished Work of Elizabeth D., as well as novels in which lengthy sections feature characters reading journal entries. (Bernier calls them “funhouse mirrors.”)
Mark Seal explores the ongoing legal battle between Harper Lee and Samuel L. Pinkus, the latter of whom is said to have “’engaged in a scheme to dupe Harper Lee, then 80-years-old with declining hearing and eye sight, into assigning her valuable TKAM [To Kill a Mockingbird] copyright to [Pinkus’s company] for no consideration,’ and then created shell companies and bank accounts to which the book’s royalties were funneled.”