Recommended Reading: The Missouri Review’s new poem of the week, Kai Carlson-Wee’s “Jesse James Days,” which also won its 2013 Editors’ Prize. “If I carried your name to the skateparks and railroad temples of rust, would you come to me, brother.”
We're all familiar with the Grimm-style fairy tales, with their evil stepmothers and imperiled princesses. But a new collection of 19th century Bavarian folk tales has been discovered, edited, and now released in English for the first time, and they're darker, dirtier, and involve more gender-bending than the Grimm tales. Salon talks with the tales' translator, Maria Tatar, about their history, importance, and "the surprising ways they upend our long-standing notions of the roles of heroes and heroines in some of Europe’s oldest and most popular stories."
The Paris Review and the 92nd Street Y have long collaborated on a series of onstage conversations with prominent authors. Now, these talks are going to be made available online as part of 92Y’s Poetry Center Online, and also on the Review’s website. Kicking off the first round of videos are talks with Garrison Keillor, Iris Murdoch, and William Styron. Look out in the coming months for more audio with the likes of Maya Angelou, Jamaica Kincaid, and Allen Ginsberg. (Bonus: 92Y has been adding heaps of content to its digital archive all month.)
Elif Batuman's provocative essay “Get a Real Degree” is up at the London Review of Books: “Despite the recent trend in viewing fiction as a form of empathy training, I’m pretty sure that writing short stories isn’t the most efficient way to combat injustice or oppression.”
New this week: The Heart Goes Last by Margaret Atwood; Gold, Fame, Citrus, by Claire Vaye Watkins; Vertigo by Joanna Walsh; Syllabus of Errors by Troy Jollimore; The Good Story by Nobel laureate J.M. Coetzee and Arabella Kurtz; I Must Be Living Twice by Eileen Myles; and The Complete Works of Primo Levi. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.