The Empathy Exams, a new collection of essays by Leslie Jamison, gets its title from a piece about medical acting that was published in The Believer. On the Harper’s blog, you can read an interview with Jamison, who calls her collection “a refusal to choose between these approaches — criticism, confession, journalism.” (Michelle Huneven interviewed Jamison for The Millions a couple of years ago.)
Playing the Victim
The President’s Summer
President Barack Obama shared his official summer reading list, featuring the likes of The Underground Railroad by Colson Whitehead and H Is for Hawk by Helen Macdonald. For other recommended reading, don’t miss our Great Second-Half Book Preview.
Immigrant Song
Why are Americans so enamored by immigrant fiction but rarely read anything in translation? David Naimon and Gary Shteyngart discuss this and more in the latest Between The Covers podcast. Shteyngart’s latest book, Little Failure, was part of our 2014 book preview.
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Manic Paranoid Torpor
“Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where ‘armored ruins’ line the roads, ‘charred corpses scattered in among the blasted metal’; and sniper fire and I.E.D. ambushes are a constant threat: ‘the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'” Michiko Kakutani reviews Roy Scranton’s War Porn for The New York Times. Here’s an old review from The Millions that shares a bit of Scranton’s lingering sentiment regarding the war.
Everything Is Fine, Part Deux
The second issue of Little Brother Magazine (edited by Millions emerita and Toronto resident Emily Keeler) features excellent fiction about scandal-plagued mayor Rob Ford. At The Atlantic Cities, Mark Byrne talks with Emily, who describes herself as “addicted” to the drama surrounding the mayor.
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Mermaids and Capital
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet’s latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author’s knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.