“Oh, thank goodness,” said Guy Fieri, as he read the New York Times’s review of James Franco’s photography exhibit. “Their review of my restaurant is no longer the most gleefully negative thing they’ve published.”
A controversial new book art exhibit is set to open at the Mansfield Library of the University of Montana on January 7th. The show, “Speaking Volumes: Transforming Hate,” comprises works by 100 artists all of which are made out 4000 books published by a white supremacist organization, The Church of the Creator, and sold to the Montana Human Rights Network by a disaffected member. Read the strange story of the genesis of the exhibition and see some of the works here.
Maria Popova, who recently wrote a Year In Reading post for our series, has teamed up with artist Lisa Congdon on a new project concerning notable women working in art, science and literature. For each week in 2013, The Reconstructionists will present an illustrated portrait of one “trailblazing woman, along with a hand-lettered quote that captures her spirit.” Updates will also feature a “sort micro-essay about her life and legacy.” Up first in the series are Anaïs Nin, Gertrude Stein, Agnes Martin, and Hedy Lamarr.
In the wake of the terrorist attacks in Paris, Ernest Hemingway’s A Moveable Feast has rocketed to number one best-seller status in France as an emblem of cultural defiance. With a title in its French iteration that roughly translates to “Paris is a celebration,” the sudden popularity of the book run even Amazon out of stock.
“Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it.” On the inherent sameness of stories with John Yorke from The Atlantic.