Parentheses aren’t just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita‘s “My very photogenic mother died in a freak accident (picnic, lightning) when I was three.” Pair with: Vulture’s “The 5 Best Punctuation Marks in Literature.”
Parenthetical Power
Ellis Interviewed
Ahead of the release of Imperial Bedrooms, Vice has an interview with Bret Easton Ellis. "All my friends moved to Brooklyn. The only people I know in Manhattan are rich, and it just seems like, you know, the party was fun, but it’s kind of over for me. LA seemed to be the place to land."
Show Me (Don’t Tell Me) State
Tired of the writerly hustle and bustle of New York City? Give Kansas City a try: "People stay here, or move here, because they have the cultural and financial freedom to try shit; if it doesn’t work, they try again."
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“You’re a young man from the provinces”
“You frequently attend the opera to gossip about other patrons. You have never actually seen an opera.” How to tell if you’re in a Balzac novel.
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Tuesday New Release Day: Hannaham; Torday; Essbaum; Horack; Rubin; Landau; Hewitt
Out this week: Delicious Foods by James Hannaham; The Last Flight of Poxl West by Daniel Torday; Hausfrau by Jill Alexander Essbaum; The Other Joseph by Skip Horack; The Poser by Jacob Rubin; The Empire of the Senses by Alexis Landau; and The Dynamite Room by Jason Hewitt. For more on these and other new titles, check out our Great 2015 Book Preview.
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