On the New Yorker’s Elements blog, our own Mark O’Connell writes about Cloak, a new app which lets you avoid people you don’t want to bump into by accident. Despite the fact that Mark can see himself using the app, he finds it “ultimately troubling,” in large part because it strikes him as “such a lonely thing to have achieved through technological control of our social environments.” (Speaking of apps, have you read Mark’s epic e-book?)
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
“Good political poems, outlive the events that shape them… they lead strange lives.” One such poem, written after a pogrom 100 years ago, has since been translated by Palestinian resistance leaders, and more recently claimed as “Israeli” by PM Netanyahu. Some of the most notable works of the genre have been collected by Poetry. New projects in political poetry I’m excited about: online journal Matter Monthly, and Rattle’s Sunday column for a political poem addressing events of that week.
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”