Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.
When most baseball players retire, they manage other teams, but Derek Jeter will manage a publishing imprint. The shortstop will open a publishing company, Jeter Publishing, in a partnership with Simon & Schuster. He expects to publish middle-grade fiction, children’s picture books, adult nonfiction, and books for children learning how to read. The first title should hit shelves in 2014. Maybe this could have been a good backup career for The Art of Fielding’s Henry Skrimshander.
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
“Mr. Walt Whitman has imagined that a certain amount of violent sympathy with the great deeds and sufferings of our soldiers, and of admiration for our national energy, together with a ready command of picturesque language, are sufficient inspiration for a poet. If this were the case, we had been a nation of poets.” A young Henry James reviews Whitman’s Drum Taps.
It’s funny and fitting that Madame Proust, in a letter now on display at the Morgan Library, implored her son to share persnickety details about what time he got up in the morning. Another thing the exhibition, which celebrates the hundredth anniversary of Swann’s Way, reveals: early drafts of the book used “biscottes” in place of “madeleine.”
Of more than 23,000 front-page articles that appeared in The New York Times between 1939 and 1945, only 26 were about the Holocaust. Watch a powerful 18-minute mini-documentary about “how and why the genocide of Jews was neglected and euphemised by the Times, and by extension, the American people.” Pair with our piece about the German traditions of the Denkmahl and Mahnmahl, two different kinds of memorials with subtle, yet important distinctions.
Is this image of John McEnroe a great visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years, or is it the greatest visual complement to John McWhorter’s review of Ascent of the A-Word: Assholism, the First Sixty Years?