Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.
In an interview with Jonathan Lethem, the NBCC's Jane Ciabaratti offers, inter alia, a sympathetic reading of Chronic City; both have more affection than Kakutani did for what Lethem calls "the claptrap contraption plot I invented." Meanwhile, The Wall Street Journal, in a flash of inspiration, assigns the book to the estimable Alexander Theroux - the only non-Latin writer who can credibly use the word "prosopographical" in a review. (But, attn editor: "not a jot" twice? in subsequent paragraphs?) A marathon bi-borough reading of the entire novel continues tonight at McNally Jackson.
Hazel Grace has a family now. True Blood's Sam Trammell will play Hazel's dad in the film adaptation of John Green's The Fault in Our Stars. Last month, our own Nick Moran reported that Laura Dern joined the cast as Hazel's mom. With the Lancaster family complete, filming will start in Pittsburgh at the end of this month. If you still haven't read the book yet, let our own Janet Potter convince you.
"Writers are outsiders, and usually not by their own choosing. It's why they're writers. If they didn't feel alienated from human experience, they wouldn't feel so drawn to writing to make sense of their lives. It's not the outsider's facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page." Karen Karbo writes for Powell's Books's blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone's piece "Practical Art: On Teaching the Business of Creative Writing."
The MFA program at Florida Atlantic University launched Swamp Ape Review, a new national online literary journal. For their first print issue, which is set to publish next year, they're accepting submissions from writers in South Florida, such as Martin, St. Lucie, Palm Beach, Broward, and Miami-Dade counties. For a nice primer on the journal's namesake (or, rather, its alias), I direct your attentions to Bill Kearney.
Will Staehle designed the cover art for Michael Chabon’s latest novel, Telegraph Avenue (Millions review), and his finished project is certainly eye-catching. But what of the designs that didn’t make the final cut? Over at the Huffington Post, you can take a look at some of his other ideas.
What's the best book Mary Roach has read recently? Tim Johnston's first novel, Descent: "I read the last 30 pages in an airport, 10 feet from the gate, and did not notice the boarding announcements. I missed my flight for literature." Bonus: Here's Roach's interview with The Millions from a couple of years back.
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."