A new anthology celebrates poetry “that moves men to tears,” and it includes the likes of Jonathan Franzen, Ian McEwan, and Salman Rushdie. Meanwhile, for BBC Newsnight, Clive James gets choked up while reading Keith Douglas’s “Canoe.”
The first teaser trailer for The Counselor was released today. The film, which is directed by Ridley Scott and written by Cormac McCarthy, will star Michael Fassbender, Brad Pitt, Javier Bardem, Cameron Diaz, and Penélope Cruz among others. As you bide your time before its November release date, treat yourself to a sneak peek of McCarthy’s screenplay over here.
If novels are written to remind us of our mistakes and we keep repeating those mistakes, why read novels at all?, asks Alberto Manguel. Richard Lea discusses authors’ views on the relationship between the novel and memory at The International Forum on the Novel.
“Kindness cuts through the rest. And it’s a reminder for us all to reach out. Write that sweet note. Make that loving phone call. Because you never know what will stick.” Here is the follow-up to Julienne Grey’s fantastic New York Times piece “My Mother is Not a Bird,” courtesy of Electric Literature.
For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.