In memory of Peter Matthiessen, The Missouri Review has unlocked an interview with him from 1989. Matthiessen detailed the beginning of his writing career. “I started my first novel and sent off about four chapters and waited by the post office for praise to roll in, calls from Hollywood, everything. Finally my agent sent me a letter that said ‘Dear Peter, James Fenimore Cooper wrote this a hundred and fifty years ago, only he wrote it better. Yours, Bernice.’ I probably needed that; it was very healthy.” For more Matthiessen, you can read one of his best travel essays or his new novel, In Paradise.
Matthiessen’s Beginnings
Shadowplay
Did his Nobel Prize win a couple years ago pique your interest in Patrick Modiano? Here’s another essay to sate it. In The Paris Review, Alice Kaplan examines his literary project.
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Leah Hampton on the Bifurcated Vantage Point
Leah Hampton discusses her debut collection, F*ckface: And Other Stories, which takes a closer look at lives in the modern-day American South.
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Fiction Contest at Columbia
Columbia: A Journal of Literature and Art has a fiction, nonfiction and poetry contest going on that pays $500 to first prize winners. Joshua Ferris is judging the fiction entries. Deadline is 1/1/2010.
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“Characters are Ciphers”
Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. “Characters are ciphers. … We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises.”
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Jericho Brown and the South
Award-winning poet Jericho Brown discusses how the ongoing push and pull of the South continue to fuel his powerful work.
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What Work Is
Recommended Reading: Leah Falk looks at women’s writing and unpaid labor.
Can You Learn to Love the Adverb?
The saying goes that “the road to hell is paved with adverbs,” but at Beyond the Margins Robin Black makes the opposite argument. “I want you to love adverbs,” she begins, but “more than that, I want you to believe, as I do, that adverbs are the part of speech that best captures the human condition.”
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The Los Angeles Review of Books has a great interview, one of the last ones Matthiessen gave. It’s far more enlightening at this moment. I urge everyone to read it and contemplate Matthiessen’s impact.