In memory of Peter Matthiessen, The Missouri Review has unlocked an interview with him from 1989. Matthiessen detailed the beginning of his writing career. “I started my first novel and sent off about four chapters and waited by the post office for praise to roll in, calls from Hollywood, everything. Finally my agent sent me a letter that said ‘Dear Peter, James Fenimore Cooper wrote this a hundred and fifty years ago, only he wrote it better. Yours, Bernice.’ I probably needed that; it was very healthy.” For more Matthiessen, you can read one of his best travel essays or his new novel, In Paradise.
Matthiessen’s Beginnings
Addenda
Recommended Reading: Amit Majmudar on Virgil’s The Aeneid.
Pamela or Plath?
I’m disappointed that I was only able to get 8/12 correct on the Guardian’s “Who’s the Poet: Pamela Anderson or Sylvia Plath” quiz, but I’m consoling myself with the fact that the 50% is the average.
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A Girl Is a Fully-Formed Thing
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Keep An Open Mind About It
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Double Sided
Two ways of looking at a book: “Had I been still more articulate, I might have said that there’s a special readerly pleasure in approaching a book as you would a box. In its self-containment lies its ferocious magic; you can see everything it holds, and yet its meagre, often hackneyed contents have a way of engineering fresh, refined, resourceful patterns. And Emily might have replied that she comes to a book as to a keyhole: you observe some of the characters’ movements, you hear a little of their dialogue, but then they step outside your limited purview. They have a reality that outreaches the borders of the page.”
The Los Angeles Review of Books has a great interview, one of the last ones Matthiessen gave. It’s far more enlightening at this moment. I urge everyone to read it and contemplate Matthiessen’s impact.