In the latest issue of the New York Review of Books, Ice Trilogy author Vladimir Sorokin looks at the current events related to Ukraine, Russia, and Crimea, and notes that “the Russian state’s ‘vertical power’ structure” (which is to say “monarchical structure”) is what keeps the Russian people held “hostage to the psychosomatic quirks of its leader.”
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
“Why, for instance, did I dream I had surged up through the lawn of Toronto’s Victoria College and clomped into the library, decomposing and covered with mud? The librarian didn’t notice a thing, which, in the dream, I found surprising. Was this an anxiety dream? If so, which anxiety?” Margaret Atwood’s dream diary.
Now that classic sci-fi mag Omni has risen from the Hades of publishing, editors are combing its massive archives in search of material to republish. Among that material, it turns out, are drawings of Dune homeworld Arrakis — drawings that happen to be endorsed by none other than Frank Herbert himself.
“As a writer, it’s not like all experience is useful, but when something is troubling, a form can present itself as a way to think. To put what is essentially chaotic into a container where it can be what it is.” The Rumpus interviews John Freeman, the Executive Editor of LitHub, about his recent literary projects, the death of his mother, and empathy. Pair with: Contributing Editor Nick Ripatrazone‘s Year in Reading which includes Freeman’s debut poetry collection, Maps.