I’ve long thought that New Orleans is the greatest city in America and that it’s nigh impossible to make it much better. That was before Tulane University announced that Salvage the Bones and Men We Reaped author Jesmyn Ward will be joining their faculty. Let it be thus known: on July 1, 2014, New Orleans will get even better than I could’ve imagined.
Half of all restaurants that open close,” WORD owner Christine Onorati says. On the other hand, Red Lemonade publisher Richard Nash hopes former Borders employees can find ways to continue “operating as the matchmakers of the book ecosystem.”
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
The first reviews of Zadie Smith‘s new collection of essays, Changing My Mind, are in and the general line’s a non-committal, guarded praise. I think it’s wunderkind jealousy, myself. Voici: The L.A Times review and The San Francisco Chronicle review.
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
How do you pronounce the name of the titular character from Samuel Beckett’s play, Waiting for Godot? Is it GOD-oh or is it god-OH? Or is it a third variant altogether? While investigating the question for The New York Times, Dave Itzkoff has found that there may not be a correct answer, after all.