I’ve long thought that New Orleans is the greatest city in America and that it’s nigh impossible to make it much better. That was before Tulane University announced that Salvage the Bones and Men We Reaped author Jesmyn Ward will be joining their faculty. Let it be thus known: on July 1, 2014, New Orleans will get even better than I could’ve imagined.
Reading War and Peace was always a challenge, but how much harder is it in an age of constant distraction? At Salon, Mike Harris, a self-confessed distraction addict, writes about his experience tackling the Russian classic. You could also read our own Kevin Hartnett on the book’s effect on perception.
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
“The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is.” At Slate, our own Mark O’Connell criticizes the award for promoting the same bad criticism it claims to detest.
A young Apollo, golden-haired,
Stands dreaming on the verge of strife,
For the long littleness of life.
Sam Tanenhaus asks, What do this season’s political books tell us about the election? As he puts it, “Election-year analyses always seem to arrive too late or too soon. They are useful nonetheless. The mistakes and misapprehensions — what the authors thought they knew — mirror the broader thinking of their moment.” Pair with this Millions essay on politics and excessive language.