James Baldwin was more famous for being an essayist and novelist, but he was also a film critic. At The Atlantic, Noah Berlatsky argues that Baldwin should be considered one of the best film critics for The Devil Finds Work. “Baldwin shows that criticism is art, which means that it doesn’t need a purpose or a rationale other than truth, or beauty, or keeping faith, or doing whatever it is we think art is trying to do.” For more on Baldwin, read our essay on his epiphanies.
George Perec‘s I Remember, a series of aphoristic memories modeled after Joe Brainard’s volume of the same name, are finally making their way into English translation. The Paris Review has an excerpt. “I remember that Stendhal liked spinach… I remember that one of the first decisions that de Gaulle took on coming to power was to abolish the belt worn with jackets in the military.”
Of more than 23,000 front-page articles that appeared in The New York Times between 1939 and 1945, only 26 were about the Holocaust. Watch a powerful 18-minute mini-documentary about “how and why the genocide of Jews was neglected and euphemised by the Times, and by extension, the American people.” Pair with our piece about the German traditions of the Denkmahl and Mahnmahl, two different kinds of memorials with subtle, yet important distinctions.
Recommended Reading: On the forgotten journalism of Harper Lee, author of To Kill a Mockingbird. Lee’s forays into journalism included a 1,200-word profile of Officer Dewey, the lead investigator in the series of murders which were the focus of Truman Capote’s seminal In Cold Blood, and another short profile of Capote himself for the newsletter of a Book of the Month Club which had selected In Cold Blood as its monthly read — seriously.