“I’d grown up watching and playing baseball.”
Bookshelves Ten Feet High
Chances are you’ve bragged about the size of your library. The number of books you own is a point of pride for many readers. But at what point does collecting books — which few people would say is a bad thing– turn into a problem? At what point, in other words, does it become hoarding? Pair with: Rebecca Rego-Barry on hunting for rare books at college library book sales.
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Tuesday New Release Day: Englander, Chaon, Boo, Ausubel, Gaddis, Burroughs
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.
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Evelyn Waugh’s Brother Invented the Cocktail Party
“Unable to replicate the success of his first novel [The Loom of Youth],” writes Philip Quarles, “[Alec Waugh] did create a lasting impact by being credited with inventing the cocktail party when he shocked guests by serving, instead of afternoon tea, rum swizzles.”
You Are the Best People
“I am sitting at the open window (at four a.m.) and breathing the lovely air of a spring morning. Life is still good, and it is worth living on a May morning – I assert that life is beautiful in spite of everything! … In a word, there are many thorns, but the roses are there too.” These excerpts from Pyotr Ilyich Tchaikovsky’s letters are just gorgeous.
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That Was How He Was
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
The search for absurdity
How The Daily Show may have an advantage over mainstream news, by virtue of its refusual to take “View from Nowhere.” Conor Friedersdorf makes the compelling case that comedy writers, with their eyes rooting out the absurd in the world, can put give the news some much needed perspective.
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