It’s always disappointing when your novel fails to get published, but what if that novel were still lurking online? At The New York Times, Jason K. Friedman writes about finding the Amazon and Google links for his novel that never made it to print. “Google admits, ‘We haven’t found any reviews in the usual places,’ which in this case would be the planet Earth.” Pair with: Our own Edan Lepucki’s essay on how to cope with not selling your novel.
Ghosts of Novels
Company Men
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
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Europe’s Largest Public Library Opens
The brand new Library of Birmingham opens next week, and the gigantic structure is said to be “Europe’s largest public library.” In addition to its modern architecture, the facility also offers “a room from the 19th Century … to house one of the UK’s most important Shakespeare collections.”
Behind the National Book Awards
Our own Edan Lepucki interviewed National Book Award finalists George Saunders and Rachel Kushner for the National Book Foundation. Saunders discussed money issues in his writing. “Now I feel like paucity vs. grace is one of the great American issues—we all live with it every day.” Kushner explained her writing process. “The sentences are beads on a string; I see each one as essential.”
“To do so, I felt, would be too dangerous”
Over at Electric Literature, Tara Isabella Burton likens the experience of reading her ex’s favorite book – in this case Stefan Zweig’s Beware of Pity – to “rifling through someone’s letters after a death.”
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Dabbling in Cliché
“As you can see here, it’s all about desire and longing.” Yes it is, Ragnar, yes it is. Icelandic performance artist Ragnar Kjartansson is fascinated by what he calls “the oppressiveness of western culture claustrophobia.” His newest work, Bonjour, has shifted focus to poke fun at the ways in which the rest of the world elevates French sensibilities.
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A Rap on Race
Check out this conversation between Margaret Mead and James Baldwin on race, guilt, and responsibility.