It’s always disappointing when your novel fails to get published, but what if that novel were still lurking online? At The New York Times, Jason K. Friedman writes about finding the Amazon and Google links for his novel that never made it to print. “Google admits, ‘We haven’t found any reviews in the usual places,’ which in this case would be the planet Earth.” Pair with: Our own Edan Lepucki’s essay on how to cope with not selling your novel.
Literary gold: Don Baiocchi’s list of books that are responses to other books.The top 50 film adaptations of books. The Guardian never seems to tire of such lists.Benetton, whose Colors magazine is one of my favorites, is participating in the New York festival of Internatonal Literature by hosting a conversation series. They’re looking to get people involved: “Through the BenettoTalk blog it is possible for everyone to join the conversations, posting questions and generating debate, some days before they happen. Authors like Jhumpa Lahiri, Jonathan Lethem, Rodrigo Fresan, Helen Oyeyemi and many others will answer you.” You can post a question here.
Lena Dunham is the new voice of the Archie comics generation. The Girls creator will write four issues of the famous comic, coming out in 2015. She’s not the only woman joining the comics industry. DC Comics is adding a Native American teenage girl, inspired by the real Canadian Aboriginal teen activist Shannen Koostachin, to the Justice League United.
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)
A translation guide to writing workshops that we’re definitely printing out and bringing along to our next one. “Sometimes when people say ‘show, don’t tell,’ what they mean is that they find the characters sympathetic, the story is moving forward, and they even like the conflict, but they just don’t like the way you wrote it. What they’d really like to do is steal the idea and write it themselves, because honestly, they would do a much better job.”