Even though William Faulkner once described Hollywood as the “plastic asshole of the world,” he spent two decades writing screenplays there. At Garden & Gun, John Meroney examines Faulkner’s film career, including writing for Howard Hawks and having an affair with his secretary. Pair with: Our essay on Cormac McCarthy’s attempt at screenwriting.
The Orient Express began service on this day in 1883—Paris to Istanbul in 83.5 hours. Agatha Christie may be the most famous writer to have capitalized on the train’s romantic allure, but the list of books begins decades before her (Dracula, for example) and goes for decades after.
“As for the charge that [Constance] Garnett writes in an outdated language, yes, here and there she uses words and phrases that no one uses today, but not many of them. We find the same sprinkling of outdated words and phrases in the novels of Trollope and Dickens and George Eliot. Should they, too, be rewritten for modern sensibilities? (Would u really want that?)” It’s shaping up to be a day of passionate defenses. Writing for the New York Review of Books, Janet Malcom urges readers to put down their Pevear/Volokhonsky translations of Russian classics and pick Constance Garnett’s back up again.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
“What a miracle to find this buried treasure in the archives. To think something as good as this has been lying around there gathering dust.” An unpublished picture book by Maurice Sendak has been found, reports The Guardian; Presto and Zesto in Limboland, co-written with Sendak’s longtime collaborator Arthur Yorinks, is slated for publication next year. We revisited Where the Wild Things Are not long after the site’s founding.
In the latest issue of the LRB, Jenny Diski comes to the defense of Liz Jones, a Daily Mail columnist and spiritual sibling to the far-too-beautiful-to-live Samantha Brick. Her takeaway after reading a column that got Jones into hot water? Diski “couldn’t see” what the pilloried writer had done wrong.