Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.
"I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes." Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
Out this week: So You’ve Been Publicly Shamed by Jon Ronson; The World Before Us by Aislinn Hunter; Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids, edited by Meghan Daum; At the Water's Edge by Sara Gruen; The Architect's Apprentice by Elif Shafak; and The Harder They Come by T.C. Boyle. For more on these and other new titles, go read our Great 2015 Book Preview.
Emily Witt checks out Melville House's new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”