Carve out some time to watch all forty-five minutes of Zadie Smith and Chimamanda Ngozi Adichie’s recent “Between the Lines” conversation if you want to find out why Americanah qualifies as Adichie’s “fuck you” book. (You can also just skip to the 16:16 mark if you’re unable to carve out enough time.)
With the end of the “Golden Age of TV,” let’s turn back to the show that started it all: Twin Peaks, “a revelation and inspiration for countless writers coming of age in the early 90s.” The new Twin Peaks Project begins with this nostalgic article in The Believer.
Recommended Reading: Daniel Marc Janes on the fictional namesakes of London’s mayor.
“In recent decades the traditional outlets for individual short stories have dwindled, with literary magazines closing or shrinking. But the Internet has created an insatiable maw to feed.” Why both the Internet and electronic devices might be good for the short story.
“I had invented a writing table out of a wheelbarrow in the coal bunker, just beyond a wall from where a dynamo ran. It made a deep, constant humming noise. There was no more work to do until about 4 a.m., when we would have to clean the fires and get up steam again.” The University of Mississippi power plant where William Faulkner wrote his self-styled “tour-de-force” As I Lay Dying is slated to be demolished. Here’s a nice, complementary piece on slowing down to read Faulkner.
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
From Flavorwire: in 1970 William S. Burroughs teamed up with British cartoonist and painter Malcolm McNeill to “put together what they called a ‘Word/Image novel’ (the term ‘graphic novel’ had not yet been popularized) and shopped it to publishers. After seven years of trying to sell the new genre, Burroughs and McNeill gave up. Next year the work will finally see the light of day.”