Chances are that Hemingway is the only writer who comes to mind when you think of Spanish bullfighting. Well, clear some space in your mental sphere, because A.L. Kennedy wrote another entry in the bullfighting canon. On the Ploughshares blog, Miles Wray takes a look at Kennedy’s 2001 On Bullfighting.
“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.
“Puzzled as to why her mother had not figured out “Miriam” on her own — or why, after Capote became famous, she did not say much about her letter and his answer — Ms. Akers sought clues.” The New York Times writes about recently discovered letter from Truman Capote to a young reader who misunderstood his first published story. Read our own Michael Bourne on the tragedy of Capote’s life.
Read our own Kaila Philo’s essay on Toni Morrison’s new book The Origin of Others and then pair it with Nell Irvin Painter’s reflection on ‘Toni Morrison’s Radical Vision of Otherness.’ “Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color.”
In the current Broadway production of Twelfth Night, Mark Rylance plays Olivia, a role which sees him plaster his face in white makeup and style his hair into a “pouf like a charcoal brioche.” Rylance, the first artistic director of the Globe Theatre in London, projects such a palpable “air of distracted grief” in his performance that “the carapace of theatricality evaporates,” Charles Isherwood writes. The Times theater critic also highlights the work of John Douglas Thompson and Harriet Walter.
“But the truth is that even very small actions can ripple outwards and have huge and far-reaching effects. In other words, the fires you start can be little, but don’t think they don’t matter, or that they won’t spread.” The Los Angeles Review of Books interviewed Celeste Ng about writing about women, transracial adoption, and her novel, Little Fires Everywhere (featured in multiple Year in Reading entries).