Recommended Reading: “Appalachian Farewell” by Mark Wagenaar.
“but for now it’s dust in our teeth”
The Good Fight
Sometimes -- like now, say -- an artist has to ask what it means to continue working. At The Rumpus, Lara Downes explores her resolve to keep playing and teaching music, and writes about what she's done while teaching in Louisville this week.
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Not Quite Everyone
It’s not every day that you come across a defense of literary elitism, but The Guardian's Nicholas Lezard is tired of explaining that not everyone is a critic. "What I want when I read a book review is to find out what someone cleverer than me and better read than me thinks about whatever's being reviewed," he writes.
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Bathtub Books
"At home, I dedicate occasional whole days to reading as if I’m a convalescent. The ideal place for this is the bath, where the body floats free," Rachel Kushner told The New York Times in a "By the Book" interview. Yet just because her reading style is leisurely doesn't mean her reading is; she discusses her love of Proust and avoidance of books known for their plots. For more Kushner, read our own interview with her or her 2013 Year in Reading post.
A Less Dangerous Game
"He had never slept in a better bed, Rainsford decided later, lying in his bed, after they had played several rounds of various games, and didn’t hunt one another at all." You probably encountered Richard Connell's The Most Dangerous Game at some point during your educational career -- you definitely never came across this "comforting and anodyne" version, though.
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How The Room Was Made
Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.
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A Writer’s Day
The Green Road author Anne Enright shares her writing day, over at The Guardian. “22:00 Bedtime stuff with offspring. 23:00 Dishes. Netflix. Two bottles of IPA. Chill.” Pair with Diane Prokop’s Millions interview with the author.
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