When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
Eve Ewing recently released her debut poetry collection, Electric Arches, and we dubbed it one of our must-read poetry books last month. Year in Reading alum (and another Millions favorite) Kiese Laymon called her for a Guernica magazine interview and the result is a wonderful discussion on shea butter, Jordans, writing with young people as her primary audience and Assata Shakur as a literary inspiration.
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
"For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward." The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who's Afraid of Virginia Woolf.
What do you do if you're Leo Tolstoy, 20 years old and being treated in isolation for venereal disease? Start a diary, of course. Because you're Tolstoy, you'll probably use this diary to make a plan of your day, and then comment on how your actual activities line up with your ideals (“not quite," usually). And, to be as Tolstoy-ish as possible, why not rate all your actions on a general moral scale? An example: "Arose somewhat late and read, but did not have time to write. Poiret came, I fenced, and did not send him away (sloth and cowardice). Ivanov came, I spoke with him for too long (cowardice). Koloshin (Sergei) came to drink vodka, I did not escort him out (cowardice)." And so on. For some long-term perspective, pair with The Millions's perennially popular "Tolstoy or Dostoevsky? 8 Experts on Who's Greater."