James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
Baldwin in the Classroom
Balzac in the 21st Century
Thomas Piketty, author of Capital in the 21st Century, has said that he drew inspiration from the social-criticism novels of Austen, Dickens, and Balzac. According to the LA Review of Books, the new Gilded Age that Piketty critiques has generated–and will continue to generate–social novels of its own.
Buying The Believer
The Believer was acquired by the Black Mountain Institute at the University of Nevada, Las Vegas. The magazine will continue to publish bi-monthly, with the first edition under new leadership dropping on August 1st. They’re also hiring a managing editor.
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Wood on the Missing Bits of HHhH
James Wood’s New Yorker review of Laurent Binet’s HHhH, makes note of the sections of the book that were cut by editors (and name-checks The Millions). Here they are if you want to read them and learn more about the context behind the cuts.
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You Would Prefer Not To… Miss This.
Thursday 11/10, come on down to 60 Wall Street for a marathon reading of Herman Melville‘s Bartleby, the Scrivener. The story was in part tied to the Occupy Wall Street movement by Hannah Gerson in a great piece for us last month.
Salvaging the Unwritten
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
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The Art of Encouragement
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