“We envision a library full of blood,” reads the “About” section of the Black Cake Records website. “We want the very best blood, & we want it everywhere.” Intrigued? You should be. The project, begun in 2013, serves as “a forum for producing & disseminating audio archives of contemporary poets reading their work.” For an introduction, you can start with “Trench Mouth” by Danniel Schoonebeek, whose debut collection, American Barricade, was published last month by YesYes Books.
In a By Heart piece for The Atlantic, Harriet Lane writes about the “bleak precise nature” of Philip Larkin‘s poetry (what Stephen Akey called “The Poetry of Mental Unhealth” in a Millions review) and about the power inherent in writing fiction. “In my everyday life I have no control, really: who does? But on paper, I hold all the cards. Fiction provides you with a way to shape a world, to exert the kind of power and agency our real lives so often lack.”
“And so the book we have available to us is not the one she intended for us to see — and to those who knew her only as the private spouse of a public figure, Michelle McNamara emerges from these pages as much of a mystery as the Golden State Killer does, gone in the dark.” In Vulture, a profile of the late true crime writer Michelle McNamara whose book, I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, was published last week. From our archives: an essay on why one writer reads true crime novels.