“It’s funny how as an author, I rarely notice what seems so obvious to other people: that I have obsessions and will write about them endlessly. Sad, lonely, self-loathing guy? Mid-20th and 21st century literature loves to write about that guy, and so do I. Reckless, self-aggrandizing, narcissist man? I like to write about him, too, though of course they are the same person. A person whose energy compels people to orbit him—family, friends, underlings, women.” The Rumpus talks with Woke Up Lonely author Fiona Maazel (who’s written for The Millions).
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”
Novelist and blogger M.J. Rose thinks authors' personal marketing efforts should be more substantially rewarded; Robert Miller, president and publisher of HarperStudio, responds with a proposal to restructure the author-publisher relationship into 50-50 profit-sharing, as HarperStudio has done.
Out this week: Home Fire by Kamila Shamsie; The Future Won’t Be Long by Jarett Kobek; How to Behave in a Crowd by Camille Bordas; The World Broke in Two by Bill Goldstein; A Kind of Freedom by Margaret Wilkerson Sexton; Things That Happened Before the Earthquake by Chiara Barzini; and The Mountain by Paul Yoon. For more on these and other new titles, go read our most recent book preview.