Does stereoblindness caused by amblyopia (“lazy eye”) grant “superpowers” to avid readers? Giovanni Garcia-Fenech’s ophthalmologist seems to think so.
Your X-Man Mutation: Advanced Reading Abilities
Tuesday New Release Day: King, Eco, Schulze, Vonnegut, Catherine, Gallaway
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.
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Dōmo arigatō, Charlie Brown
BOOM! Studios will release a graphic novel about Charlie Brown and his friends traveling to Japan entitled It’s Tokyo, Charlie Brown!
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Banned Books Week
Comic of the Week: Over at Electric Lit, check out Grant Snider’s comic on why we ban books. We look at The Lorax and other dangerous books in honor of Banned Books Week.
Kingsolver Wins the Orange
In a reprise of this year’s Rooster final, Barbara Kingsolver’s Lacuna comes out on top this time, besting Hilary Mantel’s Wolf Hall (and four other finalists) for the Orange Prize.
I Slide and Slide
“In the dark comes spiders out of art and first I’m sleuthed away. Measuring up the vying worlds. Meandering into the emphasised words but under neat speeches are oceanous platitudes and so I slide and slide.” An exclusive excerpt from Year in Reading alumna Eimear McBride’s new novel, The Lesser Bohemians, in The Times Literary Supplement.
Tuesday New Release Day: Epic Fail, Roberts, Murakami
The biggest release of the week is, of course, the launch of the first Millions Original, Epic Fail (here’s our excerpt), by our own Mark O’Connell (We may be a bit biased there). Also out, Sam Roberts’s Grand Central, about the iconic train station, and, now available for the first time in a single, massive paperback volume, Haruki Murakami’s 1Q84.
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Direct Feed
“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
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