“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
“You may better yourself by reading this, but who cares?”
Mr. Roth
“Who wouldn’t want to read dirty books with Philip Roth?” At The New York Times, Lisa Scottoline writes about taking a class with Roth in the ’70s. If you didn’t get a chance to take a class with Roth, here are 10 lessons you can learn from him.
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“Everything is handmade.”
Monologuist Mike Daisey was once devoted to Apple products. Then, one day, he “started to think, and that’s always a problem for any religion.” He began to question how his favorite products were put together, so he traveled to China with hopes of finding out. What he saw was shocking. If you own an Apple device (which I’m betting you do), you need to listen to this episode of This American Life.
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Raise a Glass to That
Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
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Bildungsroman Babble
The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma’s past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.
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Reading Courtside
From the WSJ, NBA players who read books, some of them pretty good (books and players, I guess). Also, the old “Phil Jackson gives his players books” anecdote is a familiar one, but who knew he passed out copies of 2666? (Thanks, Craig)