“The voices you hear when you sit down to write lead you to believe that you’re a character in the novel you’re writing even though metafiction hasn’t been invented yet.” If this applies to you, you might be in a Muriel Spark novel according to Maud Newton’s article at The Toast. We aren’t surprised that Newton wrote this because Spark made her 2010 Year in Reading post.
You are Muriel Spark
The Truth Hurts
Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes … it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.
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Reader’s Nostalgia
“Why do we spend so much time with stories whose endings we already know?” Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman‘s Slate essay about “thinking that you’re not getting as much from reading as you used to.”
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Houellebecq Wins France’s Top Literary Award
Controversial writer Michel Houellebecq finally wins France’s top literary award, the Goncourt Prize, for The Map and the Territory (published in French last September).
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Pale King Pre-Orders
David Foster Wallace’s final novel, The Pale King, is now available for pre-order. 432 pages. (via)
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Come Out and Party with The Rumpus
New Yorkers: tonight you can party with the likes of Sam Lipsyte, Colson Whitehead, Amber Tamblyn, Andrew McCarthy, Nato Green, Nick Flynn, Janine Brito, K. Flay and a whole bunch of the writers for The Rumpus. All it takes is $10 at the door. Festivities begin at Brooklyn’s Public Assembly at 7pm. Details can be found here.
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A is for Art is for Activist
Art is activism! Here’s an exciting look at some creative humanitarian art projects happening around the world, from sandbag subterfuge to cellphone camera-wielding teenagers. Academic activism is not without its charms, as well.
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Talking with Makkai
BOMB Magazine sits down with Rebecca Makkai, author of Music for Wartime and The Hundred-Year House. “People love to underrate plot, because it makes them sound like they’re beyond it, like plot is best left to Danielle Steele.“ For more Makkai, check out our interview with her.