What Ails You
The Gone Girl With The Dragon Tattoo On The Train
Someone’s finally done it, and it’s our own Emily St. John Mandel, to boot: over at FiveThirtyEight, Mandel crunches the numbers on books with the word “girl” in the title, concluding that we may not have reached peak girl yet. (Also 65% of the time, the girl in question is actually a woman.) Nonetheless, if you’re looking to go rogue, check out our guide about how to title every book you ever write.
Verse Play
“A must-read for: anyone who has grappled with mood disorders/And: anyone interested in the nature of creativity/And: anyone interested in insightful stories told with honesty, pathos, and wit.” On Ellen Forney’s Marbles: Mania, Depression, Michaelangelo & Me.
Susan Orlean’s Library Book
Year in Reading alum Susan Orlean’s next book will be entitled The Library Book. It will be “a love letter to an endangered institution, exploring their history, their people, their meaning and their future as they adapt and redefine themselves in a digital world.” The book will focus in particular on the unsolved 1986 razing of the Los Angeles Central Library.
Pictures of You(th)
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
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In a Room of the Auction House
“It can not be that I monopolize / The making of the songs that give you praise / Or that such pools as are your dearest eyes / Have just one bather through the unclear days. / Then, let me take my place amid the pack, / If I so pack my songs with your rare worth / There were no quality they then should lack / But they were bettered by that happy death.” A previously unpublished Ezra Pound sonnet selling at auction is always newsworthy–especially when it fetches nearly $12,000. Here is a related Millions piece about the difficult poetry of Ezra Pound, John Berryman, and Ted Berrigan.
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