As you might have heard, the tenth annual Morning News Tournament of Books will commence this Thursday, and to kick things off, the site held a pre-Tournament playoff round. In it, Lev Grossman and David Gutowski (aka Largehearted Boy) try to predict what Geraldine Brooks will choose as her novel of the year. (Our own Lydia Kiesling takes part on the 18th.)
Warm Ups
Wimmer on Translation
Natasha Wimmer, translator of Roberto Bolaño's 2666 and Álvaro Enrigue's Sudden Death, explains her work process and why she’s translating a woman’s work next. Pair with our founder C. Max Magee’s thoughts on machine translation.
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What Is It Good For?
"War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say ... War can be a subject, like any other, and it can be written about well, and it can be written about poorly." Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
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London, Beachside
Folks in London, England--well, technically Greenwich--could have their very own custom-built beach for the next five years.
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Lolita, Cover Girl
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov's classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. "I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering." More: An interview with Bertram.
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The Writer’s Mimicry
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.
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Finding Your Story
"Memoirism is perfect if you’re new to autobiographical writing and want an easy and enjoyable way to tell your story without necessarily having to live it. The software allows you to create memories that appear up to 99% accurate, so you can focus on your home, school, or work." On a revolutionary new writing tool.