If you’re an insomniac, you probably feel an odd kinship with people who work the night shift, especially if you live in a large city which is easy to explore on sleepless nights. At The Rumpus, Jess Lowry recalls her own late nights in Manhattan.
Up with Me
In This Here Place
“In this here place, we flesh; … Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it.” Toni Morrison‘s Beloved as featured in a powerful essay by Allyson Hobbs for The Root about black life, Philando Castile, “and the trauma that remains.” See also: a consideration of parallels between Morrison’s Pulitzer Prize-winning epic and The Odyssey.
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The Social Function of the Novel
Recommended reading: Tim Parks asks “what is the social function of the novel?“
Rebecca Hunt’s Mr. Chartwell
At The Washington Times, my review of Rebecca Hunt‘s Mr. Chartwell, a shaggy dog novel about Winston Churchill‘s “black dog” (depression).
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He Is Not Pynchon
Penguin released a book trailer for the newest Thomas Pynchon novel in which a guy in a T-shirt that reads “I’m Pynchon” stands on a rooftop on the “Yupper” West Side and talks about his life. (To find out why I used the term “Yupper,” check out the recent New York mag piece on Pynchon that I wrote about last week.)
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How They Did It Before Sears
The more you know! In Victorian times, sitting for a photograph could last hours due to primitive camera technology and the need for long, long exposures. This, predictably, didn’t jibe with kids, and so parents had to adopt an ingenious workaround: disguising themselves in the picture so they could physically restrain the youngsters. (Don’t miss Part 2, either.)
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“This is my song, for real / Do doubt.”
Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
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Gosling to Direct His own Film
Hey Girl, Ryan Gosling will direct a “fantasy noir” film he wrote entitled How to Catch a Monster. It’ll star his Drive cast-mate Christina Hendricks.