If you’re an insomniac, you probably feel an odd kinship with people who work the night shift, especially if you live in a large city which is easy to explore on sleepless nights. At The Rumpus, Jess Lowry recalls her own late nights in Manhattan.
What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren't just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
In Bogotá, Colombia, a garbage collector by the name of Jose Gutierrez has been working tirelessly to rescue thrown-away children’s books for use in his homemade community library. If this doesn’t immediately call to mind Bohumil Hrabal’s classic Too Loud a Solitude, then it might be time for a re-read. Also, check out this Millions essay by John Yargo on Hrabal’s rambling fiction.
Is Karl Ove Kanusgaard's seven-volume, 3,600-page, vaugely-autobiographical epic possible to pitch over the course of an elevator ride? The good people over at n+1 are willing to give it a shot! Have you ever wondered about the view outside of Knausgaard's window? I bet you have now.
File under events you won’t want to miss: Kate Zambreno hosts her second Belladonna* Prose Event this Tuesday in New York, featuring three leading ladies of innovative lit. Renee Gladman, Danielle Dutton, and Amina Cain will discuss the walker as essayist, flaneuring through urban space, and skirting the margins of genre. 7:30pm, at Dixon Place.