“Her characters sleepwalk to their certain fates through artificial pocket universes, each one seemingly constructed to satisfy the curiosity of an inhumane, omniscient narrator. Few writers have been so consistently and brilliantly unkind.” On Muriel Spark’s The Bachelors.
"For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization...I was going to be an essayist, and it was going to be awesome." At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.
For The New Yorker Alex Ross describes the role Nebraska's prairies played in Willa Cather's writing, his encounters with Cather people, and how he became one himself. "From this roughshod Europe of the mind, Cather also emerged with a complex understanding of American identity. Her symphonic landscapes are inflected with myriad accents, cultures, personal narratives—all stored away in a prodigious memory. "
Heads up, writerly types! Dzanc Books is looking for submissions for their newly-announced 2016 Prize for Fiction. Judges Carmiel Banasky, Kim Church, and Andrew F. Sullivan will determine the winner, who is slated to receive publication and a not-so-insignificant $10,000 prize. Go get published.