Wes Anderson really likes trains, and not just any trains — the director of The Grand Budapest Hotel is a big fan of riding on Amtrak. “It’s one thing to be stuck together for the long haul to New Zealand in the upper deck of a 747 for 16 hours,” he told a writer for the company’ s blog, “but it’s an altogether different matter to hit the dining car three meals a day for two and a half days running onboard the Southwest Chief.” This may be a good time to read our own Nick Ripatrazone’s essay on writers and trains.
Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters -- “I wouldn’t want to be friends with Nora, would you?” -- by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of "likeability." (There's also this piece by our own Emily St. John Mandel to consider.)
This holiday season, show a little restraint. Write a short short that uses each word only once, and email it to [email protected] by December 31 at midnight for your chance to win Electric Literature vol. 1 and be published on their blog, The Outlet. Further details available here.
Ever seen Henry Kissinger make eyes at a geisha? Richard Nixon ham it up at the Grand Ole Opry? Or Betty Ford (a one-time Martha Graham dancer) take a turn on the Cabinet Room table? Legendary photographer David Hume Kennerly has. His retrospective at Bergamot Station in Santa Monica just came down, but many of the best images are still up at the Frank Pictures Gallery website. Kennerly also took the somewhat notorious picture of O.J. Simpson and family with President Ford (the one O.J. was arrested for trying to steal), and for which his retrospective--"If Only O.J. Had Called Me"--was named.
“We live, in short, with local exceptions, in a dissociated world held together by fragile links of utility and self-promotion underpinned by laws of mutual advantage—a materialist ethos and cosmos that cannot but influence cultural representations and, hence, art, including poetry.” On John Donne and the humanity in art.
"The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien." Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman's book would be "a classic of the future." See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.