After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.
Tip of the Tongue
Vote for The Millions at 3 Quarks Daily
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
Speaking with Greenwell
Recommended Reading: The Paris Review Daily interviews Garth Greenwell, author of What Belongs to You, possibly the next great gay novel.
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Accepting Rejection
Rejection is a part of growth. Kim Liao argues why writers should aim for one hundred rejections a year. To prepare for your one hundred rejections, let literary magazine editors tell you their thoughts on rejection letters.
Saving the Wicked Stepmother
Recommended Listening: “I wanted to rescue the wicked stepmother,” Helen Oyeyemi said in an interview with NPR about her new book, Boy, Snow, Bird (which made our 2014 book preview.)
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The Poet Carried No Revolvers
Recommended Viewing: Go and check out the delightfully illustrated comic “Amiri Baraka Is in Contempt” by Nathan Gelgud at The Paris Review.
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Writing the Godfather of Soul
“Kill ‘Em and Leave is [James] McBride’s own testament to [James] Brown’s philosophy. It’s a stunningly unorthodox book, indifferent to the conventions of biographical nonfiction … The book is a hybrid of forms, largely a telling of Brown’s life story and partly a telling of McBride’s search for that story, with digressions about the author’s own life, essayistic ruminations on Brown and his music, and free, looping riffs that have the energy of improvisation.” On James McBride’s unusual, unorthodox biography of the unusual, unorthodox James Brown.