After moving to Brooklyn, Sabine Heinlein spent a year trying to learn English, a task which left the native German speaker “close to aphasic” after a few months. Eventually, she met up with another recent immigrant, who enlisted her for help in a sprawling art project: a collection of words from each language spoken in New York City. At The Hairpin, she writes about her experience.
Millions staffer Mark O'Connell immersed himself in the "transhumanist" movement for more than a year, checking in on such characters as Zoltan Istvan, the quixotic U.S. presidential candidate perhaps best-known for driving a coffin across the country. O'Connell's book, To Be a Machine, which details dreamers like Istvan envisioning human existence liberated from the outmoded confines of the human body, publishes this month.
"The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman)." Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.
The fiftieth anniversary of Who's Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play's original 1962 run.